After a few teasing posts, I am happy to say that the Byatt shawl is now available from Ravelry (and will soon be available from LoveKnitting too). The shawl is named after one of my favourite novelists, A.S. Byatt.  I first encountered her books when I was a young woman on the cusp of starting university. I read her Booker Prize-winning novel Possession in translation by Claus Bech. I later learned Bech had been awarded the Prix Baudelaire for his work, but that was no help to me as I diligently worked my way through dense poetry sections.

A few years later I read Possession in its original English and Byatt's book was transformed. While Bech's work was lauded, I could not connect with it in the same way I could connect with Byatt's own language. It was rich, layered, warm, gently witty, and wonderful. The book became a touchstone and I have read it eight or nine times now.

And so Byatt's novels became part of my life.

The Frederica Potter novels - The Virgin in the Garden, Still Life, Babel Tower, and A Whistling Woman - kept me company as I grew from a young woman to whoever it is I am now. I read The Biographer's Tale whilst travelling around New Zealand (it remains my least favourite Byatt novel to date). And I curled up with her short stories - Angels and Insects and the Matisse Stories, among others, when I lived in a suitcase trying to figure out who I was going to be. Reading Byatt quietens that voice inside my head that urges me to be less bookish, less arty, and more .. normal. I owe her much for writing about quiet, creative people with complex inner lives who muddle through life trying to remain intact. We exist too.

The Byatt shawl takes its main design cues from the cover design of  The Children's Book. The rich teal and the golden brown are obvious nods towards the teal and gold found on the cover. Insects recur often as motifs in Byatt's books - the slip stitch pattern forms braids on top of the garter stitch, but the individual stitches can also resemble tiny wings or delicate leaves.

The horseshoe edging was my toughest design decision. I wanted the shawl to have an Art Nouveau feel, so I first added leaves to the edging. Interestingly, I found that very open lace patterns clashed with the remainder of the shawl and I experimented with bold chevrons until my eye was caught by the classic horseshoe pattern. Its light chevron feel and close/open movement worked both within the context of the fabric and also with the design inspiration. The edge is finished off with a picot edging which just adds a touch of polish.

I've had a few questions about the shape of the shawl. Funnily enough, neither my photographer, my tech editor nor myself even considered that issue, so I have uploaded the schematic to my Rav project page to tide things over until I can get my photographer (also known as David, the boyfriend) to shoot some photos. Many apologies for the oversight. On the other hand, it is the sort of feedback that improves my patterns, so thank you for getting in touch!

The only other issue is that I am currently waiting for my lovely friends at LoveKnitting to publish the pattern, so it becomes available in all EU countries. I am keeping tabs on the situation and am exceedingly frustrated that not all you lovely people can buy the pattern straight away. Maybe an excuse to go stash-diving or plan colour combinations?

Stay tuned for colour combination suggestions from Old Maiden Aunt Yarns. If you are planning on going to the Edinburgh Festival, you will want to stay tuned to learn why knitting a Byatt shawl might be a good idea. I did say plans were afoot, non?