Something for the Weekend

My new autumnal knitting project. I started working on it last night whilst watching Digging for Britain, a programme about British archaeology. When I was a teen I wanted to be an archaeologist specialising in Neolithic sites (you get a lot of those where I grew up). Then I went out on work placement and realised that the majority of the job consisted in mapping the landscape and measuring soil depths. Clearly not my thing, but I still love learning about middens, neolithic settlements, and migration patterns. As you can imagine, I've always been a riot at parties. Anyway. Knitting.

I am completely smitten with the new Kim Hargreaves collection, Touching Elegance. It ticks a lot of my boxes: sumptuous colours, defined silhouettes, 1920s/1930s styling and copious amounts of warm fibres. I was torn between Eleanor, Ella, Nancy, Mae, Nellie, Isadora, Patsy and Delores - I told you I was smitten - and have sort of hedged my bets a bit (more on that later when I figure out if I'm right in doing what I'm doing). The collection feels a lot more grown up than my usual thing, but I think the colour palette has a lot to do with that. As you can tell from the photo, I have chosen a less than sombre colour - Rowan Baby Alpaca in Cherry Red, kittens.

Also in the photo: fabric. It's a long story but I have been roped into doing a public sewing demo next week. Don't ask. I'll be making an Amy Butler Barcelona skirt complete with lining and a hidden zipper. I'm petrified as I have not done any sewing for about two decades and all my sewing terminology is in Danish. Sewers everywhere, weep for your art and craft. On the plus side, I got to choose the fabric myself and I cunningly chose a design which matches my autumn knitting project. It'll be fine but I will be poring over sewing instructions and blogs the next few days.

Also on the agenda the next few days: a Joseph Beuys exhibition (I'm not huge fan of Fluxus, but I also have to step outside of my comfort zone now and then) and DK:KNIT, an exhibition on experimental knitting design hosted by the Danish Cultural Institute in Edinburgh (this means I'll be in Edinburgh on Monday, by the way. Give me a shout if you want to meet up for coffee).

Assorted linkage: Other Half loves this poster but I just cannot get beyond how Freudian it is. Or is it just me? Save the Words! is a beautiful application although most of the words are surely inkhorn terms. And this Icelandic jumper spotted at the Reykjavik Pride Parade is just about the best thing ever.

The Glasgow Boys

Before I moved here, I had never heard of The Glasgow Boys, a late 19th century art movement in, yes, Glasgow. I suppose you might call them late Impressionists or even Post-Impressionists. They were inspired by the then Glasgow-based James McNeil Whistler (he of "Whistler's Mother"-fame) but also by French realist art. My favourite Glasgow Boy is undoubtedly E.A. Hornel whose collaboration with G. Henry, "The Druids Bringing In the Mistletoe", you can see on the left (or at Glasgow's Kelvingrove Museum). It is such an strange, unsettling painting filled with arcane symbolism,  and up close you can see the layers of paint smeared upon the canvas. It is not a beautiful painting nor is it particular skilled in a strictly technical sense - but it stays with you. I actually prefer Hornel's Japanese paintings where he becomes almost abstract when depicting kimonos and Japanese gardens, but "Druids" is arguably when he first sets off on his own path.

Later this year Kelvingrove Museum & Art Gallery will be showing a major exhibition on The Glasgow Boys (which will travel to London, I believe), but if you are interested in learning more about the Glasgow Boys, the late 19th century arts scene in Scotland, or simply want to know more about Scottish culture, I can recommend A.L. Kennedy's radio programme (which also features Alasdair Gray). I am not sure if it will be available outside the UK although I remember listening to Radio 4 whilst in Denmark..

Yesterday I received a lovely email from a long-lost, but dearly-remembered Danish friend. Coupled with the sunshine and the promise of spring, I am almost cheerful today.

Warm and Fuzzy In Several Ways

For some odd reason I keep going back to the idea of a knitted dress. I found a machine-knitted dress in Monsoon (British clothes shop) which I absolutely loved (apart from the fibre make-up) and then I saw some jaw-dropping Briars and lengthened Dusty tunics. I just sit here in my cold flat and imagine how wonderfully soft, comfortable and warm they would be to wear. Then I remember how traumatised I get when knitting more than one sleeve or a slightly lengthy body. Maybe I would not go nuts knitting a dress or tunic, but the jury is definitely out on that one. Plus, you know, I had the following exchange today: "Can I talk to the lady in charge of this?" - "That's me. " - "No, I want to talk to the slim one." Ouch. Maybe a soft, clingy knitted dress is a very bad idea, full stop.

Anyway. Finished object: my Kaiti shawl knitted in Rowan Kidsilk Haze (shade: Liqueur). I used just a smidgen over two balls (and you could totally get away with just two balls) on 4.5mm and although I really wanted to knit Sharon Miller's Birch, I used the top-down version, Kiri, to maximise the shawl-to-yarn ratio. This is a supersoft and very, very warm shawl.

(I'm not-so-slowly getting addicted to Kidsilk Haze - I'd love to knit a cosy jumper in KSH and have fallen in love with yet another Kim Hargreaves design: Veer from Rowan 32. The simple lines plus the quirky little details just stole my heart. )

Photo taken at the Kelvingrove Museum which is my favourite Glasgow museum, hands down. No matter how often I visit, I see something new and interesting. They even have a small, but exquisite collection of Early Modern Period art (one of my favourite ages). Afterwards we headed towards the Hunterian Art Gallery where, be still my heart, we saw a special exhibition on Albrecht Dürer in Italy and printmaking (including an incunabulum, phroawr). Seriously, seriously good stuff. I love my neighbourhood.

Something of Beauty

"..there is beauty in everything. What 'normal' people would perceive as ugly, I can usually see something of beauty in it" - Alexander McQueen

British fashion designer, Alexander McQueen committed suicide today. He was only forty years old. McQueen was one of the very, very few who deserved to be called a genius in his chosen field. I am deeply saddened by his death.

"There was always some attraction to death, his designs were sometimes dehumanised. Who knows, perhaps after flirting with death too often, death attracts you."

Karl Lagerfeld on the untimely passing of McQueen.

In Kansas City With My Favourite Tattoo

On Tuesday, northern Norway experienced a strange light show. No, the photo you see on your left is not a Photoshopped image. It is the real deal. But what caused this bizarre phenomenon? Bad Astronomy can tell you (incidentally, if you are not following the Bad Astronomy blog, do so! It is great). All that aside, my first reaction was: "Oh my giddy aunt, northern Norway? Philip Pullman got it right!" This reaction was quickly followed by: "Northern Norway? Wonder if there is a Bad Wolf Bay close by..? Oh no, not Rose again?!" And then I realised that maybe I am a bit of a geek after all..

Speaking of which, we watched Duncan Jones' Moon the other night. I enjoyed it, although it did not move me (but I do not think the film intended to move me and I appreciate that). A man stuck on a lunar mining base with a three-year contract about to run out, a robot to keep him company and an unreliable video link to Earth. Space is not a brilliant, adventurous place. It is lonely, cold and remote and it forces people to address questions about human identity, the frailty of memory, and the relationships between Man and Machine. Maybe this sounds dry, but Moon is a good film. Recommended.

And the other side of my geekiness: literature. This photoblog of literary tattoos has me wishing I wasn't so scared of needles, because, seriously, there are some really amazing tats there. One of my favourite songs of this past decade (and just maybe of all-time) is about a literary tattoo: The Lucksmiths' "Fiction"(youtube link)

Oh, and the new Drops Summer Collection has just been unveiled. Voting decides which ones will be given full translation priority, but I just enjoy looking at the patterns. A few look interesting, but, really I'm not that bowled over. Perhaps it's because it's not even Christmas yet and they are talking about summer designs?!

Bulletpoints

A few brief links:

• Why not visit Pompeii from the comfort of your own home? The ruins of Pompeii are now available on Google Street View.
• This is absolutely lovely: Flare, a wind-sensitive electronic dress. "As the wind gently caresses the dress or if you "blow" on the dandelions themselves, a pattern of lights will twinkle across the dress."
• I have fallen head over heels with at least three of the garments in Rowan 47. A preview is available from Rowan's site (it is slow-loading, beware). My current favourite is the pink filly concoction in KidSilk Haze. I might knit in another colour, mind.
• An illuminated snowflake. At some point I will get one of my scientist friends to show me how to make these.
• A YouTube clip chronicling Franz Ferdinand's use of Soviet interwar avant-garde graphic design/art. Ah, El Lissitzky. Be still my heart.
• Starbucks will start selling  Flat Whites in the UK in the new year. I love Flat Whites and hope they'll become available in Glasgow too. Yum. (thanks, Kimfobo)
• This little clip makes me a little sad that I won't be in Blighty for Christmas (thank heavens for iPlayer)
• Finally, I can see the light at the end of the tunnel. The first sleeve on David's pullover is done! Let me do a small \o/ - and as my stepfather's Christmas is done , I feel like I can cast on the delightful Yule Pig potholders in good faith that they'll be done before Christmas. I might even throw in a Christmas tree or two, thanks to these spiffing Christmas socks.