Craft

, , ,

Love Spreads

, , ,

Life is good when the sun is out and you have the day to yourself. The postman brought me the Spring/Summer edition of the Rowan International newsletter and I read it whilst surrounded by buttercups, daisies and playful squirrels. Later, when the sun disappeared, I went to the local Polish deli for rye-bread, tuna pate and buttermilk. It made for a delicious late lunch. I also found two beautiful tweed skirts in a charity shop along with an old, old knitting magazine. Total cost: £3. Yes, it has been one of those days today. One to savour.

I need a tiny pick-me-up, actually, because I have been struggling with wrist-pain following yesterday's knitting group. The old ice pack came out again as did the pain killers. I have been able to crochet without too much bother, so I am wondering if the small knitting needles are exacerbating whatever is wrong with my wrist - I am using 2.5mm and 3mm. Presumably it would do my wrist good if I swapped my usual Continental style for the English style, but as I am working with cotton, I am worried about any change in tension.

ANYWAY. Today has been a lovely day.

And that is even before I mention that a girl in winter has given me a pat on the blogging shoulder. Basically, it is one of those spread-the-love things where someone says "I love reading your blog, have this virtual plaque, think of ten random facts about yourself, and then mention ten blogs you love reading."

I'll give you six factoids, though, because I'm really dull.

1. I have two of my own designs on the needles at the moment. One is a sock pattern and the other one is a beaded scarf. I plan on releasing the patterns. 2. I think in colour and suspect a mild form of synaesthesia. 3. I cannot wear high heels thanks to hypermobile feet. Well, okay, I can, but I'll be limping the next day. I have inlays for my (flat) shoes which ensure my feet are kept steady throughout the day. Thankfully I don't need to wear the inlays constantly. My podiatrist once told me that had I been born in Russia, I would have been part of the State Circus. Thanks. 4. I identify as a Secular Humanist which sometimes makes people think I'm a big fan of Richard Dawkins. I am not. He veers far too close to fundamentalism for my taste and I find him decidedly off-putting. 5. When I say that my style is "vintage-inspired casual", I really mean "perpetually student-ish". I still get asked for student ID in shops despite being in my mid-30s. 6. I once appeared on a Danish quiz show and then travelled around New Zealand on my winnings.

Now imagine the next sentence in big pink sans-serif letters across the bust of a Photoshopped Hollywood Starlet: Ten Fabulous Bloggers You Need to Add To Your Feed Reader Right Now:

  • Drop Stitches, Not Bombs - clever and stylish Italian woman knitting her way across Europe (although mainly UK-based)
  • Bellsknit - Bells in Australia has a way with words, yarn and food. Gorgeous photography and great sense of humour too.
  • Thrums - a recent find. New York-based woman who reads, knits and observes people.
  • A Friend to Knit With - the photography is just stunning
  • Feather & Fan - the brilliant Orata's blog filled with her own designs and travels.
  • Ms KnitWit - I really like how she captures the extraordinary in ordinary life in her photos. Also: smart, funny and crafty.
  • Roobeedoo - Someone else who has been transplanted to a life in Scotland. She's a reader, a crafter and very human.
  • Academia Nuts- I'm privileged to call her a friend. You should see her knitting projects too.
  • Anarkistens (ægte) Kogebog - Danish food blog. The funniest blog I've read in a long time. And she's all about using 12thC recipe books in her kitchen. Respekt dér.
  • Petra O - a Swedish craft blog which is hugely inspirational with its beautiful photography and distinct style.
, ,

I Need Distractions

, ,

My great-grandmother's bedspread/blanket arrived today. Every single square was knitted individually in moss-stitch and then sewn together before she picked up stitches, knitted an edge, cast off, and crocheted a decorative edge. (So much work. I can deal with the huge amounts of mustard yellow in the spread, in other words.) I wonder if I should drape it over our sofa.. We live in a rented flat, so some of the furniture is not exactly to our taste (particularly the pink-yellow chintz sofa).

Thank you for the comments on Becoming Less than a Magpie. After writing it, I went straight to Ravelry and started weeding out my queue. It has gone from 247 patterns queued to 77 projects queued. It feels very liberating. I know the new autumn/winter collections will be hitting the web soon, so I am prepared to see my queue get a bit longer, but I am keeping the following self-imposed rules in mind:

  • Will it flatter my figure?
  • Will it work with existing items in my wardrobe?
  • Do I already have similar objects in my wardrobe?
  • Will I get any use out of it?

In other words, I will assess concrete things like gauge and shape as well as abstract things like style and wearability. Also, I will no longer be queueing fifteen patterns when one well-chosen pattern suffices.

Style is quite abstract, isn't it? I am not fashionable (although for one brief month back in 1995 I was outrageously trendy) but I do think a lot about style. Being Danish I have grown up with a certain Nordic aesthetic - you might best know it from countless IKEA catalogues. Scandinavians like their simple lines, plenty of light and very little nonsense to their architecture/furniture/designs. A typical Danish knitting design would be something along the lines of Topstykke, Duet or Granite. Plain knitting with a little twist. On the other hand I have never been a very good Dane and I turned into an bit of an Anglophile when I was very young, cue the love of tweedy things with cables and fair-isle (or, in other words, everything Rowan). Add to that, an uncompromising love of Modernist art and design (and that pesky Scandinavian mid-century modern influence) and that is pretty much where "my style" is at.

See why my queue has shrunk so much? Yeah.

Now I'm off to wave a tiny Danish paper flag about. The Danish football team is playing their first World Cup match today and I'm slightly worried as they are meeting one of the top contenders, Holland. It is going to be tense and I still cannot knit.

, ,

Becoming Less of a Magpie?

, ,

The Football World Cup has begun. I'd be happier if I could knit my way through every match, but my wrist is still bothering me. A colleague recommended arnica gel as a possible short-cut to future happiness knitting. I am not one for herbal remedies, really, but I get twitchy if I have nothing to occupy my hands. During my "downtime" I have been doing a lot of thinking. Yet another fantastic Cargo Cult Craft blog post sent me thinking about the things I create and why I create them. This spring I made Millbrook, a lightweight cardigan, and it has turned out to be one of the pieces I reach for again and again. I want to knit things I will actually wear and I think I need to be far more discerning about what I chose to make. I think I have been a "magpie knitter" in the past - making things just because I thought they were really, really shiny rather than because I needed them.

I love knitting triangular lace shawls which I wear as scarves - but do I really need more than four or five? Instead, perhaps, I should look into knitting fine-gauge lace cardigans and pullovers, because a) I will wear them and b) they fit with the rest of my existing wardrobe. Fine-gauge lace cardigans and pullovers will provide the challenges I love in my knitting, and while they may take much longer, they will actually see some use rather than languish in a drawer somewhere. I'm thinking along the lines of Geno, Arisaig, Shirley .. but pattern suggestions are very welcome. My queue is long, unwieldy and does not contain many realistic knits. I am looking for winter-appropriate patterns as well as more summery knits.

Susannah at CCC makes a great point about realistic wardrobes. I find my wardrobe is very geared towards "vintage-inspired casual" but I struggle when it comes to dressing up. Recently a good friend became engaged and I had a moment of panic, because I have nothing I can wear to a wedding. Fortunately the wedding is some years away, so I have time to find a solution, but it was an eye-opener. I tried on this dress (I liked the silhouette), but I am struggling to see how a party dress fits into my lifestyle. Weddings come around every five years or so, not every five weeks. Susannah's point about realistic wardrobes comes in handy here. If I did have a realistic approach to clothes-shopping and -making, I would have a little shift dress I could pull out whenever an occasion arose. I would have matching shoes and a little handmade cardigan.

Another thought-provoking blog post about clothes and bodies come courtesy of ProjectRunGay. I know, I know, but their fashion recaps of Mad Men has been hugely enjoyable - and I don't even watch the show! This post about "Joan Holloway" (aka our Mrs Reynolds' Christina Hendricks) was a particular favourite of mine because I have a similar body shape and took a lot from how Mad Men's costume designers dressed Hendricks. I might be able to apply some of the logic to my own clothes. In a realistic way.

PS. I wholeheartedly recommend the Glasgow Boys exhibition currently on display at the Kelvingrove Art Gallery & Museum. I think it will become a touring exhibition, so keep an eye out if you are in the UK. I was particularly taken by George Henry's Symbolist landscapes and Japanese watercolours as well as Arthur Melville's impressive watercolours.

, ,

On Frocks & Books

, ,

A few things to tide things over..

  • With a few modifications, this is how I'd like to live. I would not sort my books by colour (in fact, it is a pet-peeve of mine), I would tone down the pattern-upon-pattern thing, and I would go for a different IKEA sofa*, but overall this is my sort of home. It has that Scandinavian-midcentury/vintage-thriftiness/art-junkie aesthetic I like.
  • As I keep saying, I am not getting back into dress-making. Nope. Not a chance. Having said that, I am drooling over this sewing project. There is no way that I'd look anything like the girl in the photos, but that is one fetching dress. I never know what to wear during summer but I like the idea of wearing pretty cotton frocks. But I'm not going to make one for myself.
  • Not getting back into dress-making does not mean I cannot look at gorgeous fabric, though. Spoonflower supplies a design/print-on-demand fabric service. Look! Steampunk-inspired fabric! Fabric inspired by early American feminist writer! UK-based company, Clothkits, sells beautiful Liberty fabric designed by Grayson Perry. Sigh.
  • Meanwhile Danish ladies' magazines keep publishing lovely free knitting patterns (mostly donated by yarn companies). My recent finds include this awesome cardigan, and a very cool top. I might even have yarn for the top.. Hmmm.

* yes, I have opinions on IKEA sofas. I'm a bit scared by this.

And on a completely different topic, take a look at this MeFi post about the quality of paper used in contemporary publishing.

"Eight years ago we started to notice the shift in buying patterns from free-sheet Permanent Paper to groundwood paper for hardcover books. Groundwood is the type of paper used in newspapers and mass market paperbacks, and its production is such that it is much lower-quality and degrades more quickly than traditional book publishing paper." What makes a book permanent?

The discussion quickly descends into a "well, why print books at all now the digital revolution is here" argument. I have nothing against digital publishing nor against digital archiving (in fact, I support digital archiving as it allows for storage on an unprecedented scale whilst not taking up much room), but I do take issue with people saying books are going to vanish within the next thirty years because they are too low-tech to be anything but obsolete. Despite globalisation, that is a very First-World argument.

The Book's low-tech nature is exactly why it is going to survive - and why books needs to be of better quality. Needing the Book is not about cherishing the object itself, but understanding its role in the dissemination of knowledge. Oh, but the internet! Oh, but Kindle! Oh, but what about people who have no access to the internet, or have limited/censored access? What about people living in areas where electricity is a scarce commodity reserved for the elite? Picking up a book "only" requires you to be able to read. Using a Kindle or the internet requires compatible technology, electricity, the ability to navigate and process information online, stable access, knowledge of how to download content/patch your software .. and then how to use your reading device.

(I miss working with print culture - can you tell?)

,

Knitting Millbrook

,

My Millbrook cardigan is technically done. I have finished knitting it, in other words, but there will be quite some finishing to do. 1. I have knitted with oiled yarn, so I am yet to see what the actual fabric will look like once the oil has been washed out (note. I did knit a swatch and washed it - but that was with another colourway one year ago). This cloud of unknowing feels quite exciting and a bit whatwasIthinking.. Right now the knitted fabric has a flimsy feel to it, but I expect/hope for the fabric to bloom.

2. I am thinking of reverting to the picot-edging used in the original pattern. The neckline feels quite bare. Last night I tried knitting a little collar and it did not look quite right. Then I crocheted an edge around the neckline which stabilised it, but still looks too bare.

3. I still have not decided on buttons (this will have to wait until I have washed the cardigan and figure out just how stable/unstable the buttonsholes are - cf. flimsy material). Currently pondering whether to crochet buttons myself.

4. And, finally, the usual flurry of finishing: weaving in ends, tightening buttonholes, blocking (as it is a lacy cardigan) etc.

    I have tried Millbrook on and it is a seriously cute, vintage-looking cardigan which is perfect for spring/summer-wear. I need to think more about what I need to have in my wardrobe and Millbrook fulfills a need I did not even realise that I had: a light woolly cardigan to wear underneath my spring/summer jacket.

    This sudden realisation that I need to knit wearable pieces stems partially from the Millbrook epiphany, but also from reading Cargo Cult Craft. Essentially a sewing blog rooted in a love of social history, Cargo Cult Craft is a thought-provoking blog with eye-candy. I am quite intrigued by its Fashion on the Ration! project:

    I’ve allotted myself 66 clothing “coupons” — the 1941 ration for each man, woman and child in Britain. Like the original, my ration will have to last me one year — from January 23, 2010 to January 22, 2011. Armed with my ration, my stash and period tips and techniques, I will maintain my everyday wardrobe while sewing a wartime wardrobe from vintage patterns and style sources.

    So far Fashion on the Ration has been a bit of an eye-opener for me, despite my initial misgivings ("gimmicky" and "bit precious"). By thinking very hard about her choice of material and what basic needs her clothes have to fulfil, the blogger is engaging with her clothes-making in a very interesting way. My favourite part? She jots down notes on what she has learned from every project. And I'm learning from her despite my craft of choice being different from hers.

    PS. I have finished reading Sarah Waters' "The Little Stranger". More on that soon.