Day Four: Landscape

The West Coast of Scotland? It rains a lot and we frequently do not get much above 20C. But it is pretty here and I have plenty to wool to keep me warm, so it works out. What I hadn't planned on was how much the landscape would inspire my colour choices..

Shades of pale brown mixed with grey skies and hints of mossy green. You can see the Campsies in the distance if you look hard enough!

Grey-blue lichen on trees. Bark an enticing grey-brown with  - yes - hints of mossy green. This photo was taken during a walk around Possil Marsh which was rudely interrupted by heavy rain.

Mossy green! Spawling across reddish brown! This sight is very common in the Glasgow Arboretum, just a few minutes from Casa Bookish.

What has all this to do with my knitting and crocheting? Quite apart from being overtly fond of mossy green, I am also planning a pattern collection of accessories all of which will be knitted in colours oddly reminiscent of the photos above. My poetic partner says that I am wrapping myself in Scotland. It is a nice thought.

PS. Yes, this was supposed to be about seasons. We often have four seasons in one day. Layers make sense.

You can find more blogs participating in the Knitting & Crochet Blog Week by googling 3KCBWDAY4. If you have come here as part of the Knitting & Crochet Blog Week, thank you for visiting. I'll still be here once this week is over and I'm usually blogging about arts, books, films, language besides all the craft stuff. Do stick around.

Denmark 2012: A Bit of History & A Lot of Knitting (part 3)

Denmark was not just us larking about Viking settlements or eating six types of pork for lunch (true fact!). Denmark was also about knitting. I had a photo shoot! I am about to release a new pattern - Elsinore - and we had the photo shoot in the middle of the Kastellet fortifications in northern Copenhagen.

It was an incredible cold day, so whenever there was a break in the shoot, I rushed forth to wrap a warm cardigan around the brave model. The photos turned out amazing. Stay tuned!

I also met up with Signest, aka Signe Simonsen who has been published in Knitty, Twist Collective and Petite Purls among other places. She is one of my favourite designers for innovative, colourful and bold childrenswear (check out the Nova dress and the Viola hat!) but Signe has several, several strings to her bow as you are sure to find out in months to come. I was lucky enough to get a sneak peek at a design she is currently working on for Danish yarn company Filcolana.

And Signe's also the genius behind my current favourite attire, the I YARN CPH tee. Sorry about the photo - it is not the most flattering one of me but it is the only one I have of me wearing the tee.

Yes, I rather liked Peter Greenaway's The Pillow Book. Why do you ask?

Oh, and there was yarn. Nothing really, really fascinating because I only had a few hours to spare so I could not explore new yarns, but I did buy a vast amount of yarn: mainly laceweight - which shocks no one - and mainly of the North Atlantic variety - which should shock absolutely no one either.

My usual Snældan yarn pusher had shut down since my last visit to Copenhagen, so I 'settled' for some more Navia Uno from Jorun Garn in Frederiksberg. They have similar fiber content (though the Navia introduces some merino into the blend) but the construction is slightly different. The Snældan is a slightly overspun  single ply whereas Navia Uno is plied with a tightly spun 'thread' around a soft wool core. Navia Uno works up slightly softer than Snældan but has a smidgen less stitch definition. In other words, I should not be writing about 'settling' for anything as the two yarns are so similar and so beautiful. I am just concerned about minutiae.

And then I visited a charity shop where I uncovered a pile of Alt om Håndarbejde (eng: All About Crafts) magazines from the 1970s.

Alt om was really instrumental in kickstarting my lifelong love of all things crafty and I remember trying out loads of their easy kids' projects when I was a kid. I even think the first garment I ever made for myself (a pair of shorts!) was from an Alt om pattern.

Some of the projects are just outlandish seen with today's eyes but others transcend their time period with aplomb. I only took some of the magazines with me (the rest are staying with my mum until further notice) but I picked a few with fantastic sewing patterns for dresses and skirts. I don't think I shall ever outgrow my 1970s dress sense..

There are also quite a few big knitting projects that I can admire knowing I will never ever knit them. Just look at that coat. It is absolutely stunning. I have instructed my grandmother to snap up any old Alt Om that she might come across as the tutorials are worth their weight in gold.

I tried finding Alt Om's modern incarnation - the rather splendid Symagasinet which is all about sewing - but the local shops let me down. Earlier this year I also contacted the publisher about a possible subscription but the shipping costs were ridiculous, so I dropped that idea. Oh, Scandinavia, why do you taunt me so?

Anyway. To come: a brand-new pattern release, news about other patterns, some FOs and so forth. My life's really busy right now!

Recent Events & Works in Progress

And another thing happened. The day before my birthday - Friday - I called to see my doctor as I was concerned about something. As a rule I am not fond of doctors, so I had waited a couple of weeks before actually making the call. The young doctor gulped, prescribed strong antibiotics (which meant I was being arty in Edinburgh whilst combating awful nausea) and made another appointment for me Monday morning. And so by Monday afternoon I was admitted to hospital awaiting emergency surgery.

I am very thankful for the British National Health Service. They were quick and efficient: I had my operation and I was discharged again by 6.30pm. If you live in the UK or are a British citizen, please consider signing this petition urging the British Government to rethink its Health and Social Care bill.

Whilst waiting around, I managed to do a lot of work on my crochet shrug.

The pattern is Fifi from the new Rowan Holiday Crochet booklet. The stitch pattern looks quite complex, but is actually a relatively easy two-row repeat worked with double trebles (US: trebles) which makes progress very quick. Apart from still needing to check how to turn, I have memorised the pattern - and I am very pleased by how much I have managed to do on just a few days.

And the colour is gorgeous - I cannot seem to get away from mossy greens. I actually picked up some Liberty needle cord earlier this month which has an accent of mossy green - I wonder if I'll actually manage to whip up a skirt or if my nerves will betray me once I face cutting into Liberty needle cord.

Later this year I am going to a wedding celebrating my wonderful friends Elaine and Steve. I was going to make my own dress, but then I found a silk dress in John Lewis reduced from £150 down to £10. How could I resist!? However, I have not forgotten my pledge to wear handmade to the occasion. I am going to design and knit a delicate shrug - and I am going to make my own fascinator.

Fascinators are so utterly British. I think the rest of the world noticed them last year when tuning into the royal wedding. Not being British, I have never had the chance to wear these flippant hair pieces before, so I am actually rather excited about the prospect.

I bookmarked a few tutorials and pinned a couple of pictures to Pinterest before having my first go last night. I used this tutorial to make the piece in the photo.

It was fairly easy, actually. I used some silk flowers I had found ultra cheap on Ebay and added a few beads I had lying about.

The flowers are not the right colour for the dress (a radical departure from the usual Ms Bookish uniform of green and/or red!) and I'll be wanting to add different beads to the actual fascinator/hairpiece - but I am still satisfied with the outcome. I'll be trying to reverse-engineer this hairpiece next, though, as I am not sure I'm a Big Floral Thing On My Head person.

Which reminds me: do say hello on Pinterest.

Making, Mending, and Doing

February has been a good month so far. With several deadlines met, I now have a bit more time on my hands and this has resulted in a lot of crafting time which I have used well. Making: I have finished writing a brand-new shawl pattern which I hope you'll love as much as me! I have also finished knitting the sample shawl which has lived around my shoulders ever since. I'm yet to shoot the pattern photos as my model is currently overseas, but it won't be long until the pattern's released.

I have begun a lovely crocheted shrug in a new Rowan yarn, Creative Linen, in a gorgeous apple green. So far I am zipping through the shrug as the pattern's an easy two-row repeat. It'll be ace for wearing this summer. And I have a baby project lined up as my friend Katherine is expecting a boy very soon.

Mending: I finally took pity on my winter coat.

The coat is clearly on its last legs - in fact, it has been on its last legs the past three years - and I probably shouldn't even be seen wearing it in public. Unfortunately I have been unable to find its replacement (why is a classic pea-coat in warm navy or black wool that hard to find?) and so I keep dragging it out of retirement.

Anyway, I sat down to repair the holes in it - I crocheted some small, decorative (and practical!) patches which I sewed on. Inspired by Kate I then replaced the dull black buttons with some lovely red vintage buttons. The coat is still on its last legs, but at least I don't feel totally embarrassed to be seen wearing it in public.

I have more mending to do: David's jumper has been worn non-stop for two years and the bottom rib is now in tatters and will need to be reknitted. Any tips on reinforcing ribbing?

Doing: I turned thirty-mumble-mumble yesterday and we went to Edinburgh for the day. We caught the FCB Cadell exhibition at the National Gallery of Modern Art before heading down to the refurbished National Portrait Gallery.

Cadell was one of the Scottish Colourists - a loosely bound group of painters working in the 1920s and 1930s. I'm easily excited by anything early 20th century (particularly 1914 to 1925-ish), so Cadell and his cohorts should be right up my street. The Colourists are a touch too post-impressionist for my taste, though, and although Cadell edged close to a sort of Matisse-esque Art Deco by the mid-20s, his work proved too polite and too safe for me. I left the exhibition feeling a bit grumpy because I have always admired Cadell's paintings in Glasgow's Kelvingrove Art Gallery and suddenly faced with a whole exhibition he felt wanting and limited. Maybe the curating was at fault - the transitions and contrasts in Cadell's style were never really explained and the obvious queer aspect to his art was not even mentioned.

The national Portrait Gallery has recently reopened and as a result the place was heaving. We only had time to peruse a couple of the galleries - predictably enough I swooned over The Modern Scot (where I discovered William McCance - a painter and book designer clearly in artistic thrall to Wyndham Lewis) whilst David enthused over Romantic Scotland, a photography exhibition.

I could write an entire blog post on the political implications felt throughout the Portrait Gallery - but I'm possibly too influenced by the novel I am currently reading - the very excellent And the Land Lay Still by James Robertson.

And so it goes.

More Yuletide Crafting

E. did open her parcel before Christmas. I received a rather excited text as a result. I made her a pair of bangles as I knew she'd love the combination of fashion and knitting. No pattern, but this is what I did:  I bought two large-ish bangles from a well-known high street shop. I used some bulky pure wool which I knitted to a very, very tight tension on 3.5mm needles (this is rather hard on the hands, I should add, but the result is great).

I experimented with how many stitches to cast on but settled on 14 stitches before knitting away rather happily. Throughout I measured the length of my knitted strip against the bangle - I wanted a snug fit, so I kept pulling at it. I cast off using my usual lace cast-off method which allows for elasticity.

Then I sewed it all together: cast-in/off edges first and then the long edges with the bangle inside. The sewing-up was hard on the hands, but I found using a safety pin helped me enormously by keeping the edges pinned together as I worked around the bangle.

There are some rather amazing jewellery patterns on Ravelry, actually. I spent a lot of time this month looking for inspiration and quick-yet-substantial knits. Some of my favourites include Bevy of Bangles (felted and embellished), Knitter's Brooch (which I have seen retail for up to £10 at craft fairs!), Blooming Rose (utilising the natural curl of stocking stitch), and Braided Cable necklace.

I have one more handmade Christmas present up my sleeve - except I forgot to take a photo of it before I dispatched it to .. er .. somewhere else. Meanwhile there are five pressies in my living room all wrapped in "woolly wishes!" wrapping paper. I think that means they are for me! Ooh, the excitement!

Today is Winter Solstice and while you can take a girl out of Scandinavia, a Scandinavian girl will always love her pre-Christian pagan holiday traditions. So, I'm off to light some candles and pet my straw yule goat (julebuk). The days are getting longer, finally!

Gift-Buying Guide For Knitters

So, you want to buy a great gift for the knitter in your life? And you haven't a clue where to start? I have written this gift-buying guide for people just like you.