Purls

The Knitting Book by Patmore & Haffenden

You know silly words like "transparency" and "full disclosure"? I believe in them, so you should know this: I did some pattern checking/tech editing, some sample knitting, I am thanked in this book, and I received an advanced copy. But I am still going to tell you exactly what I think of this book.

You may know that my day job involves meeting lots of knitters and offering technical advice. As part of this day job I get often asked which book I would recommend for beginning knitters. I usually recommend Debbie Stoller's Stitch & Bitch because it gives a beginner information I think is vital: in-depth notes on needles, yarns, and patterns that understand different skill levels. However, S'n'B suffers from three flaws: the pattern styles are outmoded, the yarns used are rarely available to a UK knitter, and once you have graduate from being a beginner to a intermediate knitter, you won't find the book super-useful.

The Knitting Book (KB) ticks the boxes that S'n'B does not do - whilst still delivering the entry-level information that a beginner needs. KB is actually jaw-droppingly all-inclusive. You get a section on tools and materials that explains everything from needles, yarn weights and how to understand a ball band to colour theory, how to use blocking wires, and garment care.

The section on techniques had me reeling. The beginner gets a competent and assuring run-down of how to cast-on and how to do basic stitches. Intermediate knitters get tips on shaping, knitting in the round, and using colour. Advanced knitters? Oh heavens: cast-on methods I had never heard about, two-colour i-cord, ways of knitting backwards, clever buttonholes..

.. can you tell that I'm actually pretty shocked to have encountered a book that combines traditional tried-and-tested methods with trendy Ravelry-style techniques? I am so used to seeing knitting books that essentially just repeat what hundreds of older books say ("there are three ways of casting on, you pick up stitches this way, baby garments are only knitted in baby wool..") that I am honestly taken aback from the sheer knitterly joy and unbridled freedom that I see in KB. This book is clearly written by people who understand there has been a minor earthquake within knitting in the last ten years and who want to combine the sense of everything is possible with the UK's proud knitting heritage.

The pattern section is particularly strong on this point. Intelligently it picks up on techniques previously showcased and delivers accessible designs for knitters of all skill levels. The designers must be used to dealing with knitters on a daily basis because I can see so many of my usual queries being answered: easy accessories (also for men!), gift ideas, and baby items. Want to learn how to do fair isle? There is a small project idea for that! Fancy giving socks a go? Three different patterns are available at increasing difficulty. Every pattern has hints and tips - I wish all patterns came with these little features as they would make my life a tiny bit easier.

I have three patterns that I personally want to try: the cabled wrist warmers (I was just given the perfect yarn for them), the Jelly Fish scarf (which looks super cosy), and the Harlequin scarf which uses Kid Silk Haze in a colour-graduating fashion. Mmmm, Kid Silk Haze..

Are there any drawbacks to KB? Yes, of course there are. It is more expensive than, say, Stitch'n'Bitch. It is not particularly portable and will most likely become a reference book residing on your shelves rather than being dragged with you to knitting group. Some beginners will feel overwhelmed by its wealth of information and run away screaming. I am unsure about the stitch dictionary section: you first see it straight after the tools & materials section, but the actual instructions only appear sections later - this feels a bit random. It is not styled to within an inch of its life nor does it have beautiful people wearing the knitted samples in a stylish home. KB is much more utilitarian than that.

I am trying to be objective here - truly I am - but KB is a cracker. I see and get offered so many knitting books and I rarely come away feeling like I have uncovered a gem. I'm clearly not the only one to feel this way, though, as I have been told this title is already being translated for overseas markets. I am very, very glad to have this as part of my library. It is going right in next to Montse Stanley & I am going to use this for many years to come.

Knitting Woe-Woes

Today I was going to show you a photo of Norn and tell you about its progress, but the camera has gone to work with my Other Half. Downtown Glasgow is currently being transformed into a slice of Philadelphia for a Brad Pitt film shoot and Dave wanted to take photos of Philly taxis, the JFK Boulevard street signs and whatnot. I had a look yesterday afternoon and it feels slightly surreal to see the American flag flying over the Glasgow City Chambers. Oh, and Pitt and Angelina Jolie arrived in Glasgow yesterday. Cue media madness.

Let's keep things in perspective, though, and talk about much more important matters such as my Norn jumper. You may remember that I posted a photo on Monday:

Look at that! Beautiful, squishy jumper-in-progress. Lovely colours, just-enough-interest colourwork and heavenly soft. I look at that photo and I'm beaming like someone's mum.

Monday evening I realised that four rows down the colourwork was off to by one stitch throughout half the back. Two of my knitting friends couldn't see the flaw, but I knew a half-the-back's worth of one-stitch-off-ness would bother me.

Tuesday afternoon, I gently pulled the jumper off the needles and started ripping out the four rows. Then I paused.

Off the needles Norn looked .. different. Norn looked very different. Norn looked .. big. I grabbed the tape measure and had a look. Then I measured myself (just to make doubly-sure).

Norn had eight inches of ease.

I checked my gauge. I had an acceptable gauge, though not bang on target. I did knitterly maths. Hmmm. And then I ripped out Norn.

So, while my own knitting is in time-out, let me mention something else. I am not a stitcher, but I recently came across a stunning sampler. I asked my very good friend, Paula (who is a marvellous stitcher) about these samplers and she pointed me in the direction of Ackworth Quaker Samplers. Then Paula mentioned there was a knitting connection: Quaker pinball knitting.

I found more details on Ravelry: the pinballs are knitted intarsia-style on 0.8mm needles using sewing thread (I feel faint just writing that!). They are gorgeous. The beyond-excellent Needleprint blog has an entry on makkin' wires for the pinballs and just what makkin wires the girls at Ackworth would have had at their disposal.

That sort of thing really does add perspective to my present knitting woes. Norn is knitted in double-knitting on 4mm needles. Thick, thick wool on thick, thick needles and no intarsia in sight. Who am I to feel slightly blue and moan about "a mountain of knitting"? So, I'm going to grab my trustworthy 4mm needles and cast on for a size smaller - and that's the silver-lining right there: fewer stitches!

Monday Making

As a freelancer, I occasionally have to take time to assess where I am and where I am going. I think of these assessments as incredibly fruitful and certainly a lot more thought-provoking than when I used to get assessments in my pre-freelance working days! As a result of this past week's re-assessment, Fourth Edition is now part of my on-going thought process, so you will begin to see new content creeping into the corners over the next few weeks. Don't worry - I will still be waffling on about knitting, sewing, making, and books on my blog. The new content will be straightforward things such as a list of the craft classes and courses I'm teaching etc. I might even add a diary of said courses some time this decade! Steady on! Mondays tend to be my weekly day of relaxation - funnily enough I am often at my most productive on Mondays too. It is almost like I relax by making things!

I just cut out the pieces for my Crepe dress. I'm using Nigerian wax-print cotton. It is going to be quite .. loud, I think, but also rather funky. There are some very cool Crepe dresses in the Flickr photo pool. I hope to make a second, dressier version of this dress for a summer wedding next year, so I am essentially treating this version as a fancy toile/muslin version.

Note to self: next time make sure the fabric is wide enough for the skirt pieces. The cotton is relatively narrow and I had to be rather clever about how to cut out the pieces along the grain line.

My autumn knitting project, Norn, is knitting up quite quickly. I have been taking a couple of days off from knitting due to my on-going wrist problems, but up until Friday I had managed to get a couple of rows done here and there.

I am absolutely loving this: the yarn is soft and fascinatingly heathered; the pattern is easy and intuitive; the result is just beautiful. All projects should be like this. I've used 3 balls of the main colour so far and I'm halfway up the body. I should be fine with the amount of yarn I have, then. Phew. Incidentally, I'm knitting this using my usual two-hand colour knitting method. I get stared at a lot (yes, I'm back knitting in public).

Finally, I cannot show you pictures of a design-in-progress but here is a photo which may (or may not) provide you with a clue.

I am in two minds about using myself as a model in my patterns. At my last knitting group session I was sitting next to my friend KOS who is currently working on Karise. It was rather unnerving to have my own face stare back at me throughout the knitting group.

So, if you are an aspiring model/actor/musician living in Glasgow and you need something to pad out the old portfolio or CV, I'm your lady. No money involved, just the chance to impress the knitting community. Or maybe I'll just need to come to terms with the entire staring-at-myself deal.

What You Can Do With Kaldred

One of the best things about designing and writing patterns? I get to see what people do with my idea. It is immensely gratifying and so, so, so cool. My crochet bracelet pattern, Kaldred, has been the subject of a crochet-along on Ravelry and people have come up with really fantastic projects.

And it was all kick-started by Merri who arranged the crochet-along after seeing Debi's this stunning version:

Crochet cotton with beads. Debi chose very earthy, bronze-like colours for her Kaldred and I think her Kaldred looks flirty and fun.

Colour choice play a huge part in determining your look. Denise of FabEWElous chose to make her Kaldred out of black crochet cotton and added jet-black beads for effect. I think this version does indeed look fabulous: very chic and very gothic.

Shelley of CrochetedSass has made several Kaldreds, each with their own style. She even made one as an ankle bracelet! I really like this particular bracelet, though. Shelley explains that she thinks this one is more a cuff than a bracelet and I agree: this chunky Kaldred looks casual and contemporary.

Thank you for allowing me to use your photos, ladies!

I'm sure there are many other ways you can use the Kaldred pattern. Why not use it to make a necklace or a headband? Use a very chunky/bulky yarn and make a scarf? Add sequins or buttons? I think it is one of those patterns you can vary endlessly.

ETA: Oh, my word. I just love this version crocheted by Anne (aka FrozenP) in gimp. So textural:

Norn

Many cultures have stories about threads, spinning, and weaving. After all, textile-making used to be an every-day activity (I nearly wrote 'part of the fabric of life' - language is full of textile metaphors). Norse mythology is no different. The norns are female beings of fate, of sorts, and 19th century images often depict the norns weaving at the foot of Yggdrasill (the world tree). I like to imagine the norns as being far less picturesque and a lot more unknowable than most of the imagery associated with them.

I don't know why I chose to call this jumper "Norn" on its Ravelry project page, in other words. Maybe because it reminds me of Scandinavia, maybe because I spend a lot of time weaving threads behind one another (the joys of colourwork).

But Norn it is.

It is working up relatively fast and the luse pattern is really easy to remember.

I am also very happy with the colour choice I made: Rowan Tweed in Bedale for the body, and Bainbridge for the contrast. Bedale is a nice, but not dull oat-meal colour and Bainbridge is a dark red with interesting flecks through it. Essentially I'm knitting Norn with the Danish flag colours but in a not-obvious and completely wearable way.

You can say what you like about 19th century appropriation of Norse mythology (and I don't have many nice things to say), but I do love reading translations of the Poetic Edda that go like this:

Mightily wove they the web of fate, While Bralund's towns were trembling all; And there the golden threads they wove, And in the moon's hall fast they made them.

In case you are interested in reading more about Old Norse texts and the sources of what we today know as Norse mythology, Heimskringla is an excellent place to start and many of their texts are even available in English. Their photo archive may be of interest too if you are of the visual persuasion..

Why the Overlap?

A good friend of mine, Emme, went to her knitting group the other day and noticed something (link in Danish): there is a huge overlap between knitters & people who read scifi/fantasy. She notes that Ravelry has at least 65 groups dedicated to fantasy but has just two groups for Copenhagen knitters. And Emme is really surprised by this overlap between scifi/fantasy-reading and knitting: "I don't get it". My first thought? "It's a geek thing." Emme responded to say that my response was a cop-out, it had to be something a bit more profound.  And so I'd like to ask you, dear readers, why this overlap between scifi & fantasy geeks and knitters?

(From my own observations, there are also huge overlaps called "librarians & knitting" and "GLBT-orientation & knitting", but we'll have those discussions another day..)

I like reading books, full stop. I like imagination. I like books that take our mundane lives and turn them inside out; books that take our world and expand upon it. Many of my favourite books tend towards the speculative end of the spectrum with a healthy dollop of misanthropy and dystopia. And I'm horrifyingly entertained by dragons, airships, and ray guns (not necessarily in the same book).

And I knit.

And I think it has to do with imagination and creative space. Knitting is just a ball of string which you loop together in a manner which you find pleasing. You can have an entire jumper in a ball of wool: it's bigger on the inside, if you like. You can knit optical illusions, crochet ray guns and buy steampunk-themed patterns. And make your own chainmail, of course. All these things that you can create yourself whilst playing with numbers and watching Game of Thrones - what's not to like?

(Or could it just be that fantasy/scifi happen to be very, very popular genres?)