desertislanddiscs

Desert Island Discs: Day 1

I enjoy listening to Desert Island Discs on my iPod as I make my way to work. The people you think will be interesting rarely are; the people I don't know or feel indifferent towards end up my favourites. Lady Caroline Cranbrook's episode was an absolute joy, for instance. And so for my own pleasure (and indulgence), I decided to make my own Desert Island Disc iPod playlist. I added far more than eight records to my playlist, of course, but for your listening pleasure I shall stick to eight records (one per entry) and even add a few words.

I grew up in a very large family filled with people obsessed with (mostly American) pop culture circa 1940-1965. This recent Guardian article on so-called superfans rattled me because I had no idea that this sort of behaviour was in any way unusual. I grew up surrounded by pop culture memorabilia: big murals of Sinatra et al on the walls, concert tickets carefully curated, mountains of carefully sourced vinyls, autographs, signed photos, VHS tapes of 1940s musicals, and handwritten databases detailing when this or that song was recorded. What do you mean your childhood wasn't like that?

Over dinner my uncles would toss out the first names of stars, as though they knew them personally: Frank, Dean, Bing .. Occasionally they did know the people they gossiped about. My dotty aunt T. briefly dated Gustav. My other dotty aunt A. semi-stalked Otto for four decades. Looking back, I can see that this approved pop culture was predominantly white pop culture. It was also two or three decades out of sync with contemporary pop culture.

My gran has always loved Fats Domino. I remember her playing Blueberry Hill, Ain't That A Shame and I Hear You Knocking whenever my uncles weren't around ("Fats is okay, but he's no Frank, if you know what I mean" - oh, I can hear them). And for me Fats Domino is about happiness, about feeling loved and about a tiny glimpse of freedom: there is a world beyond my large, chaotic family and so many things to discover.

I am the product of my family, of course. I had a phase of obsessively hoarding bootlegs, travelling to foreign countries for concerts, subscribing to mailing lists and knowing the name of certain musicians' dogs - but unlike my uncles it did not turn into a lifestyle. To this day, I have a thing for 1940s MGM musicals and I'm still on a first-name basis with Frank - but it is Fats Domino that I keep coming back to.